{"id":7529,"date":"2025-05-21T10:31:45","date_gmt":"2025-05-21T10:31:45","guid":{"rendered":"https:\/\/alanrolsky.site\/?p=7529"},"modified":"2025-06-01T13:12:35","modified_gmt":"2025-06-01T13:12:35","slug":"description-de-legypte","status":"publish","type":"post","link":"https:\/\/alanrolsky.site\/?p=7529","title":{"rendered":"Description de l\u2019\u00c9gypte"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>die pyramiden gleichen kolossalen ikonostasen, deren bildwelt im inneren der abschottung alleinig dem heiligsten zugewandt, somit frei von betrachtern sind. in den ostkirchen, sofern vorhanden, kehrt sich diese bildwelt um, weist auf das heilige dahinter ausdr\u00fccklich hin. aus dem naos im blick, erlauben sie eine erleichterung der vorstellungskraft, die sich nun festmachen darf, an einer gegenst\u00e4ndlich-abstrakten bildwelt. das private wird teil\u00f6ffentlich und zug\u00e4nglich gemacht. die strahlkraft des ehemals verdeckten, kolossalen geheimen heiligen, kondensiert nun im schein der ikonischen heiligen. eine noch gr\u00f6\u00dfere n\u00e4he zum betrachter wird reliquien und hostien durch ostensorien (monstranz) zu teil, die nahezu unmittelbar eine angenommene konsekration und transsubstantion leisten, die so die gegenwart des heiligsten gew\u00e4hrleisten. einerseits sehen wir also kolosssale monumente, die stellvertretend f\u00fcr eine angenommene ewigkeit* stehen und andererseits, w\u00e4hrend einer historischen entwicklung, das ewige in das gegenw\u00e4rtige \u00fcbergeht; aus der unendlichkeit kommend, in der gegenwart sich manifestierend.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"761\" height=\"1024\" src=\"https:\/\/alanrolsky.site\/wp-content\/uploads\/2025\/05\/Description_de_lEgypte_seconde_edition_page_titre-761x1024.jpeg\" alt=\"\" class=\"wp-image-7538\" srcset=\"https:\/\/alanrolsky.site\/wp-content\/uploads\/2025\/05\/Description_de_lEgypte_seconde_edition_page_titre-761x1024.jpeg 761w, https:\/\/alanrolsky.site\/wp-content\/uploads\/2025\/05\/Description_de_lEgypte_seconde_edition_page_titre-223x300.jpeg 223w, https:\/\/alanrolsky.site\/wp-content\/uploads\/2025\/05\/Description_de_lEgypte_seconde_edition_page_titre-768x1033.jpeg 768w, https:\/\/alanrolsky.site\/wp-content\/uploads\/2025\/05\/Description_de_lEgypte_seconde_edition_page_titre-973x1308.jpeg 973w, https:\/\/alanrolsky.site\/wp-content\/uploads\/2025\/05\/Description_de_lEgypte_seconde_edition_page_titre-508x683.jpeg 508w, https:\/\/alanrolsky.site\/wp-content\/uploads\/2025\/05\/Description_de_lEgypte_seconde_edition_page_titre.jpeg 1024w\" sizes=\"auto, (max-width: 761px) 100vw, 761px\" \/><figcaption class=\"wp-element-caption\">1820<\/figcaption><\/figure>\n\n\n\n<div style=\"height:29px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"460\" src=\"https:\/\/alanrolsky.site\/wp-content\/uploads\/2025\/05\/Harper_playing_before_Onuris-Shu_KV11.jpeg\" alt=\"\" class=\"wp-image-7534\" srcset=\"https:\/\/alanrolsky.site\/wp-content\/uploads\/2025\/05\/Harper_playing_before_Onuris-Shu_KV11.jpeg 500w, https:\/\/alanrolsky.site\/wp-content\/uploads\/2025\/05\/Harper_playing_before_Onuris-Shu_KV11-300x276.jpeg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption class=\"wp-element-caption\">Scene from tomb of Ramses III, <em>Stark ist die Wahrheit des Re, Geliebter des Amun<\/em><\/figcaption><\/figure>\n\n\n\n<div style=\"height:23px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/alanrolsky.site\/wp-content\/uploads\/2025\/05\/KEITH-JARRETT-TALKING-JAZZ.mp3\"><\/audio><figcaption class=\"wp-element-caption\">Keith Jarrett, 80<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-small-font-size\"><em>*das zeitlich ewige, andauernde<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>die pyramiden gleichen kolossalen ikonostasen, deren bildwelt im inneren der abschottung alleinig dem heiligsten zugewandt, somit frei von betrachtern sind. in den ostkirchen, sofern vorhanden, kehrt sich diese&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,1],"tags":[],"class_list":["post-7529","post","type-post","status-publish","format-standard","hentry","category-texte","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/alanrolsky.site\/index.php?rest_route=\/wp\/v2\/posts\/7529","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alanrolsky.site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alanrolsky.site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alanrolsky.site\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/alanrolsky.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7529"}],"version-history":[{"count":24,"href":"https:\/\/alanrolsky.site\/index.php?rest_route=\/wp\/v2\/posts\/7529\/revisions"}],"predecessor-version":[{"id":7573,"href":"https:\/\/alanrolsky.site\/index.php?rest_route=\/wp\/v2\/posts\/7529\/revisions\/7573"}],"wp:attachment":[{"href":"https:\/\/alanrolsky.site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7529"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alanrolsky.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7529"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alanrolsky.site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7529"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}